
The world without photography will be meaningless to us if there is no light and color, which opens up our minds and expresses passion.
La Fantaisie is a two-storey Victorian terrace in Abbotsford, inner-east Melbourne, designed by Bergman & Co for owners Jia and Valerie Wang. The building runs as four overlapping operations under one roof: café, patisserie, florist, and private event space. The interior carries Bergman & Co’s detail-led design layered over the building’s original ornamentation, with marble archways, burnished concrete floors, exposed roof trusses on the ground floor, and a brass-lined cocktail bar upstairs. Real florist inventory remains on display through the rooms because the floral business is part of the daily working operation.
The visual register is small-scale boutique, not ballroom. The Victorian-terrace footprint caps the wedding count to small-and-mid-sized formats, which is the property’s positioning, not a constraint to work around. La Fantaisie is the sister venue to Flovie in Carlton, which gave the brand an existing aesthetic identity before the Abbotsford fit-out opened. Most weddings here come because of the building’s interior styling itself; the Bergman & Co fit-out is doing visible design work the wedding’s own styling has to coordinate with it, not override.
The marble archways and the resident florist inventory are the two interior elements that distinguish La Fantaisie from any other inner-Melbourne Victorian terrace. Frame portraits with both elements visible together, not one or the other; the layering is part of the room’s identity.
The brass-lined cocktail bar upstairs runs cleanest during evening reception lighting. Shoot a deliberate brass-bar portrait set during the cocktail segment of the day; the ground-floor marble work is the day’s primary aesthetic, the brass bar is the evening counterpart, and missing the upstairs sequence leaves the gallery one-note.
The exposed roof trusses on the ground floor sit at a height that benefits from looking up; pull the camera angle low during ceremony to include the truss line in the frame above the couple.
The street-facing windows produce directional light that shifts hour by hour. Track the window light direction during the ceremony rehearsal or the morning of the day; the room’s primary lighting source is positional, not consistent across the day.
Real weddings at this venue reveal more than any venue description ever could — the light, pacing, and emotional texture of the day.
If you’re getting married at this venue, we’d love to help shape the visual story with a calm, cinematic, and genuinely personal approach.